European Cultural Capitals of 2024

European Cultural Capitals of 2024

Diverse Narratives Unite: Bodo, Tartu, and Bad Ischl Named European Capitals of Culture for 2024

Nestled within the Austrian region of Salzkammergut, near the Bavarian border, lies the enchanting town of Bad Ischl—a perennial magnet for tourists. Drawing in hundreds of thousands annually, the town’s allure lies in its picturesque landscapes, adorned with majestic mountain views, pristine lakes reflecting crystal-clear waters, and meadows painted in lush green hues during the summer or draped in a serene blanket of snow during the winter months.

Bad Ischl’s charm has not only captivated modern-day travelers but also beckoned the Austrian nobility in its heyday. The town served as a favored retreat for Emperor Franz Joseph I and Empress Sisi, who found solace in its scenic embrace during many summers. Notably, it was against this backdrop that the imperial couple forged a significant chapter in their love story, marking Bad Ischl as the very place where they exchanged vows of engagement in the memorable year of 1853.

In the upcoming year of 2024, the spotlight will illuminate Bad Ischl, along with 22 neighboring communities, as they collectively step into the role of one of the three European Capitals of Culture, sharing this prestigious title with Tartu in Estonia and Bodo in Norway.

Climate change, history and Conchita Wurst

The vision for this cultural endeavor extends far beyond the region’s idyllic landscapes, as Bad Ischl and its counterparts aim to bring forth more than 300 collaborative projects. Their mission goes beyond the surface, delving into pressing issues such as the consequences of overtourism, the looming specter of climate change, and an exploration of the region’s complex historical legacy.

Elisabeth Schweeger, the program curator, emphasizes a nuanced approach, seeking to “shed light on the positive and negative sides of this entire region” rather than turning the European Cultural Capital year into a mere spectacle. The intention is clear – to foster a deeper understanding of the multifaceted identity of the region.

The grand inauguration on January 20 in Bad Ischl promises a spectacular start, featuring the participation of Tom Neuwirth, the acclaimed artist behind Conchita Wurst and Eurovision Song Contest winner. This musical extravaganza will also showcase the talents of rappers and a thousand-strong yodeling choir, setting a dynamic tone for the year ahead.

Shaped by salt mining

Shaped by the ancient practice of salt mining, which has been woven into the fabric of Salzkammergut for over 7,000 years, this region has a rich history shaped by the so-called “white gold.” Now, the focus shifts towards adding another vital element to this historical narrative – culture. According to Schweeger, culture becomes the engine for sustainability, propelling Salzkammergut into a future where its heritage is preserved and celebrated.

Projects planned for the European Capital of Culture include an exhibition by the esteemed Chinese artist Ai Weiwei, offering a unique perspective that intertwines contemporary art with the tradition of salt mining. The program doesn’t shy away from addressing darker chapters, exploring exhibitions on looted art by the Nazis, who concealed their ill-gotten treasures in a mountain tunnel in Bad Ischl during World War II.

The cultural tapestry continues to unfold with concerts featuring the compositions of Arnold Schönberg and an operetta by Oscar Straus, paying homage to the deep connections of Jewish artists and art lovers to Salzkammergut. Additionally, a project focused on the history of the Habsburg monarchy serves as a reminder of Salzkammergut’s origins as the private property of the Habsburgs.

A critical reflection on the past

Despite Bad Ischl’s modest population of around 14,000 residents, the collaboration with smaller communities, some with populations in the mere hundreds, underscores the collective spirit driving this cultural initiative. Together, they engage in a critical reflection on the past, acknowledging the significance of history, heritage, and the shared responsibility of preserving their cultural legacy for generations to come.


Situated in the embrace of UNESCO World Heritage Site status since 1997, the scenic region grapples with a perennial influx of visitors, a fact that became a focal point during the European Cultural Capital campaign. Historian Michael Kurz from Bad Goisern, intimately acquainted with the region, acknowledged a palpable unease among locals who questioned the necessity of such a designation. A common sentiment echoed: “Do we need this?”

Curator Elisabeth Schweeger, however, offers a counterpoint. Emphasizing that over 85% of events are locally and regionally sponsored, she underscores the community-driven nature of the initiative. Schweeger sees the campaign as an opportunity for the community to engage in critical self-reflection, gaining an outside perspective on their own history and culture.

Tartu: Heart and soul of Estonia

Transitioning to Tartu, the second-largest city in Estonia with a population nearing 100,000, this cultural gem nestled in the east often resides in the shadow of the capital, Tallinn, economically speaking. Yet, culturally, Tartu holds its own as an old university and Hanseatic city, traditionally regarded as the heart and soul of the small Baltic state.

Mayor Urmas Klaas proudly states, “Tartu has always been a center for science, education, and culture in Estonia.” This sentiment is reinforced by Tartu’s historical significance, being the birthplace of the Estonian national awakening and home to the Estonian song festival. The Peace Treaty of Dorpat in 1920, a cornerstone in Estonia’s history, was signed in Tartu, solidifying the nation’s sovereignty.

Under the banner of “Arts of Survival,” Tartu’s European Cultural Capital program promises over 1,000 events. The city’s unique highlights include the whimsical “Kissing Tartu,” a mass kissing event, the sauna-infused discussions of the “Naked Truth” opinion festival, and the play “Business as Usual,” inspired by the impactful money laundering scandals that rattled Estonian banking.

August ushers in Tartu Pride, a vibrant celebration coinciding with the legalization of same-sex marriage in Estonia, effective January 1, 2024. This significant legal milestone sets the stage for a jubilant and inclusive cultural expression in Tartu.

Turning our attention northward, Bodo emerges as the third European Cultural Capital of 2024, positioned on the west coast of Norway, proudly claiming the title as the first European Cultural Capital beyond the Arctic Circle. With a colossal lineup of over 1,000 events, Bodo and the surrounding Nordland region aim to showcase not only their breathtaking Arctic landscapes but also a rich cultural tapestry. The ambitious organizers set their sights on attracting more than 500,000 participants throughout the year.

Bodo focuses on sustainability

“Bodo2024” stakes its claim as the most extensive cultural project ever undertaken in northern Norway. Putting sustainability at the forefront, Bodo plans to host “the world’s most sustainable concert,” titled “Pure Music,” in the spring. This commitment to environmental responsibility aligns with the city’s vision to be the most sustainable European Capital of Culture.

The culture of the Sami, the indigenous people of the region, will receive special attention, featuring a multi-part musical theater production that adds a unique and authentic layer to Bodo’s cultural narrative. The vast expanse of Nordland, covering over 800 kilometers from north to south, sets the stage for an immersive journey through nature and culture.

In essence, these three European Cultural Capitals of 2024—Bad Ischl, Tartu, and Bodo—underscore the rich tapestry of cultural diversity, historical reflections, and forward-thinking sustainability that defines the continent’s contemporary cultural landscape. Each city’s unique program invites the world to explore, question, and celebrate the myriad facets of human expression and creativity.

Breaking new ground as the first European Cultural Capital north of the Arctic Circle, Bodo in Norway promises a cultural extravaganza with over 1,000 events. Positioned on the west coast, Bodo aims to showcase not only its breathtaking Arctic nature but also the depth of its cultural heritage.

“Bodo2024” stands as the largest cultural project in northern Norway to date, spanning over 800 kilometers from north to south. Sustainability takes center stage, with Bodo aspiring to be the most environmentally conscious European Capital of Culture. The world’s most sustainable concert, “Pure Music,” is slated for the spring, emphasizing the region’s commitment to environmental responsibility.

The indigenous culture of the Sami people will be a focal point, with a multi-part musical theater production dedicated to their heritage. The opening ceremony on February 3, in collaboration with the Berlin artist collective Phase7, promises a spectacular harbor event on a specially built floating stage.

Bad Ischl: A Jewel in Austria’s Cultural Crown

Nestled in the enchanting region of Salzkammergut near the German border, Bad Ischl has long been a magnet for tourists seeking the perfect blend of scenic landscapes and historical charm. Renowned for its crystal-clear lakes and snow-covered peaks, this picturesque town has been a favorite of tourists and Austrian nobility alike.

In 2024, Bad Ischl, along with 22 surrounding communities, steps into the spotlight as one of the European Capitals of Culture. The region, already a UNESCO World Heritage Site since 1997, aims to showcase more than 300 projects that go beyond its postcard-perfect views. The program seeks to explore the impact of overtourism, climate change, and the region’s complex historical narrative.

The opening concert on January 20 promises to be a grand affair, featuring Tom Neuwirth, the artist behind the iconic Conchita Wurst persona and a winner of the Eurovision Song Contest. This local talent will join forces with rappers and a thousand-strong yodeling choir, setting the stage for a year of cultural exploration.

Projects include an exhibition by renowned Chinese artist Ai Weiwei, delving into the tradition of salt mining that has shaped the region. Other exhibitions tackle sensitive topics such as looted art from the Nazi era, shedding light on the historical burden carried by Bad Ischl.